Inspiration for Writing

A Family Story Inspired my book, Fly With The Mourning Dove

The most asked question at workshops and conferences is, “Where do you get your ideas?” Well, have you ever thought of looking at home? Where you grew up, who you lived with?

That’s where my idea for Fly With The Mourning Dove, my latest book, came from. My Dad was a great storyteller and he told one particular story to anyone who would listen. It was about a distant relative of my mother’s, who spent an entire winter living alone on a remote homestead in the high desert of New Mexico.

As a child, I met the family, but then I grew up and went on my way to raise my own children and then to become the writer I’d always thought I could be. Well, at least, I’m trying. As I wrote book after book and began to be published, I never really forgot my father’s story. How much had he enhanced it, I often wondered. And what kind of woman could have done such a thing?

Then I attended a Western Writers of America Conference in Albuquerque and remembered that the daughter of that woman in my father’s story lived in New Mexico. Still owned the ranches, in fact. One in Colorado, the other in New Mexico. She would be in her nineties, I thought. Would she still be lucid? Could she tell me more of the story?

I located her, gave her a call and she was ecstatic, invited me to come spend a week with her. She spent the winters in a small trailer in Espanola, but in the summer she went to the ranch high above Tres Piedras where cattle and horses still ran the range, where there were no modern conveniences, where she spent time alone and connected with her past life.

I spent a whirlwind week with Edna, who told me she would turn 89 that summer. She acted more like a sixty-year-old, still hiked trails in the mountains, and she drove like a race car driver. As we flew at 80 and 90 mph over the desert, she talked about her life growing up there. She came there at the age of six, right after World War One, and they lived on a homestead near Taos Junction on the narrow gauge railroad that ran from Antonito, Colorado to Santa Fe, New Mexico. Artists were just beginning to discover Taos, which prior to that was a Tewa Indian Pueblo. Anglos were pouring into New Mexico, and history was being made. She and her parents became a part of that history.

We drove on little known back roads, one particularly scary narrow dirt lane snaked its way down into the Rio Grande canyon, and she talked about John Dunn, the first man to run a mail route, to open a bridge across the river, to run a stage line to Santa Fe. And she told me about her parents.

I was hooked. My father’s stories had become real and I had my protagonist. All I had to do was write the book. At the time I was writing historical romances and she read them avidly. I began to visit every summer, and she told me on one of my trips, that when I wrote her story, she hoped I wouldn’t write it as a romance. She loved my books, but skipped over the sex scenes. That was my first hint that she would be amenable my writing a book about her life.

So, we began. Though I made a lot of notes and taped some of her stories, we did the most part through the mail. During that time, she retired from her trailer, gave up driving for fear she might get someone hurt and moved into a veteran’s retirement village in Colorado. I asked for more stories, sent her a package of yellow pads and she began to write them. Anything that came to mind, at first, then replies to specific questions I asked. No matter how much I asked of her, she never failed to respond. Sometimes she’d say she just couldn’t think of another thing to write, but then in a few days, I’d get another fat envelope with memories covering both sides of the yellow legal pad paper.

It took close to two years to get the book into manuscript form. She read it, made some suggestions, which I followed, then she read it again. One day I received in the mail that final ms from her with a post-it note on top. It read, “I’m satisfied. Edna.”

She’ll be 94 years old in July, and she’s self-effacing about the experience, saying that all her friends think the book is “okay.” She requests boxes of books which I send, and she sets out, her granddaughter at the wheel, to carry them to small shops and bookstores with which she’s familiar in her area. She gives them away, sells them, whatever she thinks is best. And she’s having a heck of a good time. One of the shops, located in Antonito, Colorado, on the narrow gauge railroad that today carries tourists from there to Chama, New Mexico, has ordered books from the publisher several times, she told me. Only thing she regrets is that we weren’t both twenty years younger when we tackled the project.

I’m going out to see her this fall, and she’s expecting to accompany me to some book signings in the area where we can both sign copies of the book. And I’ll probably have trouble keeping up with her.

So, next time you’re looking for an idea, look in your own family history. There just may be a story there begging to be written.

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About veldabrotherton

I'm primarily a writer, but I also speak and teach workshops and co-chair a large critique group. My brand is SexyDarkGritty and that applies to my western historical romances, mysteries, women's fiction and horror novels. After almost 30 years in this business, I still have something to learn and attend conferences to network with other writers, publishers, editors and agents.
This entry was posted in artists, Colorado, Fly With The Mourning Dove, ideas, New Mexico, ranching, Santa Fe, storyteller, Taos, Western Writers of America. Bookmark the permalink.

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